Channel: Florent Farges - arts

Category: Education

Tags: how toartoil paintinspirationateliermotivation for artistsclassical artpaintingbeginnerstep by steptechniquesdrawingtutorialoil paintingarts

Description: Today, we’re going to see why the indirect approach is the easiest way to improve your paintings, especially if you’re painting complex subjects, like faces and human bodies. Basically, there are two schools of thought : direct and indirect. Direct is another word for alla prima, one layer in one go wet on wet and indirect is a technique in which the painting is constructed in multiple layers, wet on dry. You can do some wonderful things with the direct approach but for a portrait, sometimes, a single layer doesn’t quite achieve a satisfying result. That’s why we’ll see how to let the painting dry and improve it wet on dry with a couple of very simple techniques. In a previous video, I showed you how to paint a portrait and how to use light and volume to make it look more artistic. I ended up with this… It’s alright, the model is nice so the result is satisfying. By the way, if you’ve missed the video, I’ll put a link in the corner there, or in the description below so that you can watch it first. Today, let’s call it part 2, I want to show you how you can get an even better result easily. By the way, if you want to see the complete, real time version of this demonstration, it is on my Patreon channel as well as hours upon hours of real time content and commentary, so if you’re interested, make sure to check the link in the description. Part 1 : youtu.be/PgE-ZKlV0ko Chapters: 00:00 Intro 01:40 Observe and Plan 04:18 Thickening the highlights 05:21 Scumbling 07:05 Glazing 08:49 Sfumatto Like and subscribe ! *** LINKS (ABOUT THE LINKS: YouTube might ask you to confirm that you want to leave the site, it's normal, don't worry! You can trust the links to my personal website florentfarges.com, as well as Instagram, Facebook, Spotify and Patreon, simply click "GO TO SITE") ➡ Thank you for supporting me on Patreon! patreon.com/florentfarges ➡ LEARN OIL PAINTING - A 7 HOURS VIDEO COURSE : florentfarges.com/the-practical-guide-to-oil-painting-techniques ➡ ADVANCED PAINTING COURSE ON COLOR AND PAINT - A 9HR COURSE : florentfarges.com/the-art-and-practice-of-color ➡ Free Resources for artists : florentfarges.com/education ✔ Social media : Facebook : facebook.com/FlorentFargesArts Instagram : instagram.com/florentfarges.arts Support me on PATREON and access real-time tutorials with commentary (and more) : patreon.com/florentfarges If you want to connect with me, the best option is to use the contact form on my website. Write me : florentfarges.com/contact *** About me (bio) : Website : florentfarges.com I am an artist living and working in France. I learned the techniques of the Atelier of the Nineteenth century and now I try to share some of my knowledge with the rest of the world, because I think that beauty still has an important role to play in artistic creation. I do mostly drawing and oil painting, and my goal is always to provide techniques, thoughts and explanations that can be useful to anyone, from beginners to more advanced artists. The material I use most of the time (not necessarily in this video) : Drawing Equipement ✓ Kneaded eraser ✓ Plumb line ✓ Small mirror ✓ An old synthetic brush ✓ Masking tape ✓ Cutter ✓ Sandpaper or sanding block ✓ Mahlstick or Hand rest (DIY) ✓ Level ruler Graphite ✓ Pencils 2H, HB and 2B Charcoal ✓ If available: Nitram charcoals (H, HB and B) ✓ Square charcoals ✓ Natural charcoal box Black and white chalk ✓ Sketch pencil Conté white ✓ Square Conté noir : HB and 2B ✓ Chalk or pencil holder ✓ Pencil sketch Conté Pierre noire : H and HB Sanguine ✓ Sketch pencil Conté : Blood and blood Medici ✓ Crayon Polychromos Faber-Castel : sanguine ✓ Sketch pencil Conté white Oil painting Palette (Extra-fine paint, recommended brands depending on availability: Lefranc Bourgeois, Winsor and Newton, Royal Talens Rembrandt) ✓ Titanium white PW6 ✓ Yellow ochre PY42 ✓ Burnt Sienna PR101 or PBr7 ✓ Venetian red or English red PR101 ✓ Permanent Alizarin crimson (Attention: do not use the traditional pigment, which is not very light-fast) PV19 or PR177 or Quinacridone Rose PV19 ✓ Cobalt teal blue PG50 ✓ French ultramarine blue PB29 ✓ Raw umber PBr7 ✓ Burnt umber PBr7 ✓ Ivory Black PBk9 Brushes ✓ About ten filbert hog bristle brushes sizes n° 4, 6, 8, 10 and 12 ✓ Some flat brushes ✓ Round sable brush or round Kolinsky sable n° 4, 8, 10, 12 (from the size of the nail (about one inch) or synthetic imitation Medium ✓ Linseed stand oil ✓ Odourless mineral spirits ✓ Safflower oil Surface ✓ Linen canvas, fine grain universal coating ✓ For studies : Canson oil-acrylic oil paper Figueras Others ✓ Palette ✓ Foam and spalter brushes ✓ Palette knife in the shape of a water drop, no souldering ✓ A few small pots, containers, jars... ✓ Paper towels *** #art #painting #inspiration *** Thanks for watching !