Channel: Tom Antos

Category: Education

Tags: how tofilmmakinglcm215-hdr+portable monitoraudio metersbehind the sceneszebraproduction monitorhdmimonitortom antosfocus assistfield monitoroseehistogramvectorscopefilm productiontutorialsrgb paradefalse colorhdranamorphic3g-sdi4ksdibright monitorhdwaveform

Description: ➡You can find the monitor here: bit.ly/3NEJtyE ➡The small on-camera Osee monitor is here: amzn.to/320yTLL ⬇️More INFO below⬇️ ➡Get this case from Nanuk to carry the monitor B&H bhpho.to/3xlzIgB Amazon amzn.to/2QRAKQD ➡Also this Pelican Case will work B&H bhpho.to/3sIG9ql Display Specs: Panel Size: 21.5inch Resolution: 1920X1080 Aspect Ratio: 16:9 Brightness: 1500nits Backlight: White LED Backlight Life(Hrs): 50000(Min.) Contrast: 1000:1 Color Depth: 16.7M Input: 3G/HD/SD-SDI: BNC× 2 SD 480i60 576i50 HD 720p24/23.98 p25 p30/29.97 p50 p60/59.94 1080sf24/23.98 sf25 sf29.97 sf30 1080i60/59.94 i50 i60/59.94 1080p24/23.98 p25 p30/29.97 p50 p60/59.94 3G 1080i50 i60/59.94 1080p24/23.98 p25 p30/29.97 p50 p60/59.94 3G-2K 1080sf24/23.98 sf25 sf29.97 sf30 1080p24/23.98 p25 p30/29.97 p48/47.95 p50 p60/59.94 HDMI: HDMI×1 720p50 p60/59.94 1080sf24/23.98 sf25 sf29.97 sf30 1080i50 i60/59.94 1080p24/23.98 p25 p30/29.97 Color Management: Camera LUT (30 SDR&14 HDR LUTs, Detailed in User Manual) Load LUT File (USB, Up to 16 User LUTs can be Stored) Gamma (PQ, HLG) Color Temperature (D55, D61, D65, D93, DCI, User1, User2) Color Space (ITU709, EBU, SMPTE-C, Native, P3, ITU2020) Audio Tools: Audio Source (Embedded/External/No Signal) Speak Out L/R (Select Channels for Left or Right Speaker, Embedded Signal Only) Meter Display Frame Tools: Aspect (16:9/4:3/15:9/14:9/13:9/1.85:1/2.35:1/Variable(Value 1.00-3.00 Adjustable)/Off) Center Marker (On/Off) Area Marker (80%/85%/88%/90%/93%/95%) Crosshatch (On/Off) Marker Fit (On: Area Marker Based on the Current Input/Off: Area Marker Based on the Aspect Marker) Marker Level (Marker Line Luminance 50%/75%/100%) Marker Mat (Darkness of the Outside Area of Aspect Marker Off/Half/Black) Scope Tools: Waveform Vectorscope Histogram Exposure Tools: False Color (Spectrum/SONY Slog3/SONY Slog2/ARRI LogC/Canon Clog2/Canon Clog3/Panasonic Vlog/RED RedLogFilm/RED RL3G10/BMD/BMD 4K/ARRI Rec709/SONY LC709A/SONY LC709/Panasonic V709/RED G3 and RED G4) Zebra (Level 1-100 Adjustable) Focus Tools: Focus Assist (Red/Green/Blue/Mono; Sensitivity Value 0-100 Adjustable) Peaking ( Level 1-16 adjustable) Other Tools: Anamorphic (2.38/Off) My filmmaking gear kit ➡ kit.co/TomAntos Exclusive tutorials ➡ tomantosfilms.com/store Gear I recommend ➡ amazon.com/shop/tomantos Sign up to my NEWSLETTER ➡ tomantosfilms.com/newsletter-sign-up ---------------------------------------------------------------------------------- Remember, in filmmaking there's no problems, just a lack of solutions! Follow me on: Instagram: instagram.com/tom_antos Facebook facebook.com/TomAntosFilms Twitter: twitter.com/TomAntos ---------------------------------------------------------------------------------------------------- DISCLAIMERS: Some of my links have an affiliate code, allowing me to make a small commission at no additional cost to you. Thanks! The opinions expressed in this video were not influenced by or paid for by any outside individual or company. I use and test lots of products that are sent to me or that I buy myself. In the end, I only talk about the products that I find interesting.