Channel: CinemaTyler

Category: Entertainment

Tags: the shiningfilmmakingcinematographyambiguitylook magazinecinematylera clockwork orangebarry lyndonweegeeyashica matdiane arbusfull metal jacketmanhattankubrikkubrickfilmstrangelovestanley kubrick2001: a space odysseyhenri cartier bressonanalogcolumbia universitynew york cityeyes wide shutdirectingnycthe kubrick filesthe bronxphotography

Description: The first 100 people to click this link will get a 2 month free trial of Skillshare: skl.sh/CinemaTyler I’ve often wondered, why is it that Stanley Kubrick’s visual style seems to stand out as one of cinema’s most interesting eyes for storytelling? Kubrick’s unique style was formed in his photography. Today we are going to take a journey around New York City where much of Kubrick’s photographic work for Look Magazine was captured to see if we can recreate some of his photos. We’ll take a look at some of his photographic techniques that would later help him as a filmmaker and we'll look at his influences and hear his thoughts on photography in order to better understand how Kubrick became one of the most visual filmmakers in cinema history. Thanks to Sophie for her camerawork and modeling. Support this channel on Patreon: patreon.com/cinematyler Twitter: twitter.com/cinematyler Facebook: facebook.com/cinematyler Tumblr: cinematyler.tumblr.com This video essay was written, edited, and narrated by Tyler Knudsen. Sources: Kubrick’s Kaleidoscope - Kubrick Exhibition by Alexandra Von Stosch/ Rainer Crone mcny.og blog.mcny.org/2011/06/21/the-tale-of-the-shoe-shine-boy blog.mcny.org/2012/04/24/a-ride-on-the-subway-in-1946-with-stanley-kubrick blog.mcny.org/2011/08/03/the-sultry-showgirl “Camera Quiz Kid: Stan Kubrick,” The Camera, October 1948 Henri Cartier Bresson - The Decisive Moment: bit.ly/2BTOySh Kubrick at Look Magazine By Philippe Mather Weegee Tells How: bit.ly/2l3kTLZ Music: Acid Jazz by Kevin MacLeod